Posts Tagged ‘your new antique’


A feature I did on Your New Antique for Counterfeit Magazine http://www.counterfeitmag.co.uk/features/your-new-antique/


This is the first time I have had something submitted for review and I have not completely adored it. I’m not saying it’s awful, it’s good pop music; I’m just saying it’s not quite up to the standard of Dead Social Club and Your New Antique.  Maybe I’m being unfair by drawing a comparison to previous reviews as Death in Texas is a very different type of band.

 This E.P. has some very good elements and the band members are clearly talented. All the tracks are pleasant but as I am not a fan of this genre they didn’t really grab my attention. Listening to this left me feeling about as excited as I would be if I just found out that Michael McIntyre was performing in my town. So basically it left me feeling indifferent towards what I was hearing. Previous submissions have left me feeling like I had just heard Louie Spence had drowned in a puddle caused by his own lisp, so very excited indeed.

I don’t want to be too critical because there are some good ideas and lots of potential there. The female vocalist has a good voice and the piano is clearly being played by someone with talent but I felt these four tracks were too safe and cautious for my liking.

They classify themselves as progressive pop and this is a very accurate description. I hate pop music but I didn’t hate this. This is far more clever and interesting than pop music generally is and it is pretty unique. I can’t think of anything similar. The best comparison I could make would be if you imagine Phantom of the Opera, but it has been written by Lana Del Rey and not Andrew Lloyd-Webber (I’m not calling him Sir). Each track is very well structured with some interesting changes in direction. The instrumentation is reminiscent of musical theatre combined with a female vocal which reminds me, on occasion,  of Shingai Shoniwa from The Noisettes.

Another point I must make is that Death in Texas are clearly very good at what they do but it is just not a style of music which I have a passion for. I’m sure they have a huge following and will do very well for themselves.

Don’t just take my word for it though have a listen yourself. Their E.P. is available as a free download, and includes the tracks “We Will Implode” “CC & Dry” “Dancers” and “Green”, just follow the link www.deathintexas.bandcamp.com . If you enjoy the tracks, which I’m sure lots of you will, then check out www.facebook.com/deathintexas for future tour dates and releases.

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The first thing I must say is that I have never enjoyed a small intimate gig to the extent that I did this one. The undisputable example of how good this gig was how it affected me during the last song of the encore. I hate being seen dancing in public (I like to think I’m too cool for all that business), however during the final song I found myself dancing and genuinely enjoying myself. The fact that I allowed myself to let loose like that shows just how good the gig itself was and how encapsulating the experience of their live performance was.

The gig was to celebrate the release of “Sirens” as part of the “5 Songs, 5 Bands, 5 Cities” E.P. on the label The Animal Farm (http://www.theanimalfarm.co.uk ). The venue at the Parish was intimate and provided the perfect atmosphere. The two support acts (ilovecolour and Beware Wolf) were well chosen. Both were good but different from each other and Your New Antique.

When Your New Antique came on stage they started with “Chemistry” which set out their intentions and instantly got the crowd going. By the time they played “Sirens” four songs in the crowd were really into it, the majority were singing along and dancing. The applause and whistles after were really loud and warm, making the hairs on the back of my neck stand up. I also liked how they then went straight into “Sirens” from “Borders” they didn’t make a fuss about it being the single. They just got on with performing and mentioned it was the single after playing it, but I think the majority of the crowd were hardened fans and would have known anyway.

Although I was aware of some of their songs this was my first time seeing Your New Antique live. I was massively impressed with their new and old material that I was unaware of. They played “Break-dance” for the first time ever live. I loved it, especially the way it seemed to always be building towards a powerful ending. I found it to be almost euphoric.

As a band they demonstrated their diversity with songs like “Sirens”, “Black Sea” and “Open Your Eyes” showing off their powerful live performance. They have other qualities which they proved by playing “No One’s There”. Whilst this track has its moments of power it is also moving and beautiful in places. Its beauty comes from the meaningful lyrics and the vocal harmonies.

Your New Antique are excellent musicians and talented writers, which makes for a truly enjoyable live performance. The band were incredibly tight throughout. This is even more impressive when you find out that they haven’t practiced for two weeks as the lead singer has a broken rib.

Even with this broken rib the singer’s vocals had the capability to effortlessly range from forceful and punchy to melodic and moving. The vocal harmonies with other band members also worked really well. Both the bass player and lead guitarist impressed me, they had their own style and clearly each added something different which helps Your New Antique create something unique.

Finally I must mention their drummer. His performance was fantastic. A lot of the time I find drummers can go unnoticed in bands but this one’s talent is too clearly visible for that. The drums in each track were frantic but in a clever way, it wasn’t just noise it was a fast and complex rhythm. I wanted to record a video of him to prove this but there would have been no point because watching him live the sticks were just a blur.

After a set which thoroughly impressed me the crowd begged for an encore, which began with “Open Your Eyes”. Apparently this was the first song the lead singer ever wrote and the crowd loved it. They also played “Forgotten” which was so good I ended up dancing….. I can’t really expand on that, if it made me dance when I wasn’t even drunk then that is the highest possible praise from me.

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http://www.theanimalfarm.co.uk

This week I have conducted an interview with Ville Leppanen co-founder of The Animal Farm, which he runs alongside his brother Mat. The Animal Farm is a very interesting project as they are not just a label. They produce the records, manage the artists and run the label, as well as acting as a bookings agency and publishing company.  I was interested to find out more about this company, its history and its future plans.

Ville and Mat hail from Finland and were in the punk band Snowdogs. During their career in Snowdogs they were signed to Victory Records US and toured with Blink 182, Alkaline Trio, At The Drive-in, The Ataris and Less Than Jake amongst others.

After 20 years as musicians they began to tire of touring and the studio they had invested in was attracting interest from other musicians. The Leppanen brothers were also getting requests to produce and write music so they saw this as a natural starting point.

“This was around 2004-2005 when iTunes kicked off, broadband penetration happened, MySpace got popular. All of a sudden the way in which artists were discovered and developed changed,” Ville explains.

“No longer did labels have to sign a band, make a record and market it to find out if anyone liked it. They could just watch what was happening online. Neither were artists in a position where either they got a deal or they were fucked. It changed a lot of the dynamics that we’d grown up with as musicians.”

 They decided that if they were going to get involved with unknown bands they needed to be able to provide the whole range of services the band would need to get their career going. During their time in Snowdogs the brothers noticed that the relationship between the artists and the label needed to be more of a partnership rather than labels owning and exploiting the talent. They wanted to create parity and equality so that both sides were taking the risks and when it came good the profits were shared fairly.  

As their business grew they were able to offer more and more to the artists. The philosophy The Animal Farm adopts is simple but effective” if you work hard, work smart, write a great song and make a great record you will succeed just don’t ever give up.“

The name The Animal Farm came from the title of a Snowdogs album, inspired by Ville reading George Orwell’s book of the same name as a child. In the book the animals have chants about four legs being better than two. As the animal revolution changed so did the chants to fit the political angle the rulers were taking. This struck a chord with Ville and his views on the music industry.

“The music business is a lot like it in that people like to convince themselves about the merit of whatever they’re doing. Study the debates on giving away free music or not giving it away, how great Spotify is or how shit it is, and so on – all depending on who’s talking. I find it funny. The only thing worth thinking about is this: the music business is based on songs and records. If you have a great song and a great record you can enter the ring and be a contender. If you don’t, no matter what chant you bleat, you won’t get a career.”

In the very beginning the company was run by Ville and Mat who did everything between themselves, but now the company has grown they have a team behind them as well as international partners.

All the artists on their roster have approached The Animal Farm wanting to work with them, they do not use scouts. When they receive a demo they look for four main attributes in prospective artists- the ability to write good songs, the ability to perform them, commitment and a long-term attitude to their career and enthusiasm and drive.

In recent years the company/label has had a hand in the careers of acts such as Esteban, Everything Everything and The Dum Dums. Their current roster includes iremembertapes, The Manic Shine, Violet Bones, Athletes In Paris, Rocketeer, Your New Antique and Dead Social Club.

This label strikes me as being very artist friendly and not purely profit driven. I asked Ville if this was a fair assumption. “We’re very friendly guys and I think that comes across in what we do. Making money wasn’t high on the agenda in our childhood home. We were taught that there are more important things in life than chasing the dollar.” 

“When you run a business you have to make money. Artists sometimes think the music business operates as a charity designed to give them the opportunity to drink beer while people with connections make stuff happen. Or they think that it’s all evil and horrible and out to get them. The truth is perhaps somewhere in the middle.”

I consider The Animal Farm to be, in some ways, a modern day version of Factory Records (but with more business sense). There are definitely similarities in their attitude towards treatment of the artists and how it should be a partnership between both parties. When I asked Ville if they considered themselves to be similar to Factory Records he was incredibly humble, saying: “I’m chuffed that you should mention us in the same sentence as them. Honestly.”

During April iremembertapes will be touring and The Manic Shine and Violet Bones will be gigging in May and June. Your New Antique have an album launch on the 31st of March at the Parish in Huddersfield and the entire roster have albums and singles due out over the course of the year.  

So what plans do The Animal Farm have for the rest of 2012 and in the future?

“We’re expanding our publishing/sync side. Our booking agency has started doing well. We want to break a band nationally and take them to international markets. Here’s a goal: that when next we get mentioned in the same sentence with Factory, I won’t go red in the face.”

Your New Antique – Review

Posted: February 27, 2012 in Music
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Your New Antique are a Huddersfield based four piece that I have been following for the last few months. They are a band I was instantly impressed by so I thought I would voice my opinions in hope of gaining them even more fans.

Your New Antique are releasing “Sirens” as a single on the 31st of March on the label The Animal Farm (http://www.theanimalfarm.co.uk/) and embarking on a UK tour in April. A second single is to follow in June along with another UK tour. For tour dates check their website (http://www.yournewantique.co.uk).

The three tracks I am about to review are all available to listen to here http://soundcloud.com/yournewantique and all three are well worth a listen.

Sirens

I am pleased “Sirens” is going to be the first single because I heard a demo version of it months ago and fell in love with it. This track has been stuck in my head since first hearing it, the chorus is truly catchy. I am a man who has spent what seems to be a large proportion of my life refusing to dance in public and even feeling ashamed when I allow myself to dance in solitude. Having said that, while listening to this song repeatedly, for the purpose of writing this section of the review, I found myself unable to control my urge to bounce and jig around in my chair. This is high praise indeed as I have trained my body not to do this for the last twenty odd years. The reason I feel like this is a combination of lots of very good elements within the song.

From the very beginning the drums are punchy and prominent with lots of fills and runs, very difficult not to nod your head along with. The moody bass line works really well and provides an interesting contrast with the higher pitched lead guitar. The guitar parts are uplifting and that combined with the darkness of the lyrics and bass produces an outcome that really appeals to me. I love Morrissey, because I love how he combines jolly music with depressing lyrics, and obviously Your New Antique are nothing like Morrissey but it’s that mix of light and shade which works so well.

“Sirens” is lyrically and musically clever. The lead singer’s vocal rises and falls perfectly with the music and almost feels like an extra instrument within the track rather than a separate entity. I’ve noticed a hint of Ian Curtis in his vocal which again I regard as very high praise. I also feel that swearing when used properly can really add to a song and their use of just one swear word is really well placed and used effectively.

To sum up, this is a track I could never tire of and I am excited to see how well it does once released. This song is clever and exciting and I hope it gets the recognition it deserves.

Open Your Eyes

An uplifting track with the same excellent qualities of “Sirens” but “Open Your Eyes” feels heavier and more up-tempo. The use of the backing vocal really adds to the chorus. I feel this one is probably a real crowd pleaser when played live. Your New Antique are clearly fine musicians and there are many fine elements to this track but I would be repeating myself if I praised the instrumentation and vocals in each track.

Chemistry

Everything about this track is really impressive especially the drums which are frantic and complex. One particular lyric sticks out for me, “if you’re going to be sensible then why should I”. When I first heard it I thought it was a very clever lyric and it has stuck with me, I find myself singing in over and over in my head. I am particularly looking forward to seeing this played live at the Parish in Huddersfield on the 31st of March.

I am confident that Your New Antique are a band with a bright future ahead of them. I am very much looking forward to seeing them live and I will also review that gig. They are talented musicians and I look forward to hearing what they create for future releases.